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    <title>BOOK reMARKS</title>
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   <id>tag:blog.vcu.edu,2008:/bookremarks/18</id>
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    <updated>2008-08-08T16:01:33Z</updated>
    
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type 3.34</generator>
 
<entry>
    <title>Covering : the Hidden Assault on Our Civil Rights by Kenji Yoshino</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/08/covering_the_hidden_assault_on.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=25396" title="Covering : the Hidden Assault on Our Civil Rights by Kenji Yoshino" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.25396</id>
    
    <published>2008-08-08T15:47:20Z</published>
    <updated>2008-08-08T16:01:33Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities If you haven&apos;t heard already, this year VCU chose Kenji Yoshino&apos;s Covering: the Hidden Assault on Our Civil Rights by Kenji Yoshino for its Summer Reading Program book. This book is...</summary>
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        <name></name>
        
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            <category term="Non-Fiction" />
    
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        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="covering.JPG" src="http://blog.vcu.edu/bookremarks/covering.JPG" width="128" height="186" />If you haven't heard already, this year VCU chose Kenji Yoshino's <em>Covering: the Hidden Assault on Our Civil Rights by Kenji Yoshino</em> for its <a href="http://www.vcu.edu/uc/firstyear/SummerReadingProgram.htm">Summer Reading Program</a> book. This book is a nuanced exploration of identity and the ways that we reveal and conceal it. Yoshino is a poet and a law professor, and this shows through in both his lyrical prose and his dogged argumentation. VCU Libraries has many copies of this book available for checkout, and we also have a <a href="http://www.library.vcu.edu/uc/reading.html">Web page with resources about the book</a>.</p>

<p> <br />
 <br />
<a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=keyword&search=kenji+yoshino">Available at Cabell Library, Tompkins-McCaw Library for the Health Sciences, and online</a></p>]]>
        
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</entry>
<entry>
    <title>The Namesake by Jhumpa Lahiri</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/07/the_namesake_by_jhumpa_lahiri.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=25082" title="The Namesake by Jhumpa Lahiri" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.25082</id>
    
    <published>2008-07-29T19:32:28Z</published>
    <updated>2008-07-29T19:33:52Z</updated>
    
    <summary>Reviewed by Renée Bosman, Reference Librarian for Government and Public Affairs and Reference Collection Coordinator In her first novel, Jhumpa Lahiri addresses themes of cultural identity and the immigrant experience with a quiet grace. Ashoke and Ashima Ganguli are Bengali...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Fiction and Literature" />
            <category term="Film and Video" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by Renée Bosman, Reference Librarian for Government and Public Affairs and Reference Collection Coordinator</p>

<p><img alt="namesake.JPG" src="http://blog.vcu.edu/bookremarks/namesake.JPG" width="128" height="192" />In her first novel, Jhumpa Lahiri addresses themes of cultural identity and the immigrant experience with a quiet grace. Ashoke and Ashima Ganguli are Bengali immigrants living near Boston with their American-born children Sonia and Gogol, the namesake of the title. The novel follows Gogol Ganguli from birth through early adulthood as he struggles with his identity, embodied by an Indian surname, a Russian pet name that was never meant to be his first name, and his desire to be an average American boy. Gogol tries to distance himself from the Bengali immigrant community to which his parents remain tied by changing his name and traveling first to Yale and then to New York, where he works as an architect and dates Maxine, a woman whose upbringing and lifestyle is vastly different from his own. He appears content, yet the question of identity continues to haunt him – “he is conscious of the fact that his immersion in Maxine’s family is a betrayal of his own” – and throughout the entire novel Gogol searches for a place where he can truly belong.</p>

<p>Lahiri is a master at conveying so much in the small details and infusing her seemingly ordinary characters with depth and warmth. After reading the novel, check out the critically-acclaimed movie directed by Mira Nair.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=0395927218" target="_blank">Cabell Library PS3562.A316 N36 2003</a><br />
<a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=keyword&search=jhumpa+lahiri+dvd">Cabell Library Media and Reserves DVDs PN1997.2 .N3647354 2007</a></p>]]>
        
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</entry>
<entry>
    <title>Stranger Than Fiction : True Stories by Chuck Palahniuk</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/07/stranger_than_fiction_true_sto.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=24768" title="Stranger Than Fiction : True Stories by Chuck Palahniuk" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.24768</id>
    
    <published>2008-07-21T17:31:29Z</published>
    <updated>2008-07-21T17:36:23Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities Chuck Palahniuk is well known for writing about extreme topics: underground fight clubs, death cults, murderous songs, marathon-length pornographic acts, horribly disfigurement, etc. He has attracted both critical attention and critical...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Non-Fiction" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="strangerthanfiction.jpg" src="http://blog.vcu.edu/bookremarks/strangerthanfiction.jpg" width="140" height="180" /><a href="http://www.chuckpalahniuk.net/">Chuck Palahniuk</a> is well known for writing about extreme topics: underground fight clubs, death cults, murderous songs, marathon-length pornographic acts, horribly disfigurement, etc. He has attracted both <a href="http://www.stirrings-still.org/ss22.pdf">critical attention</a> and <a href="http://dir.salon.com/story/books/review/2003/08/20/palahniuk/index.html">critical revulsion</a>, and it seems like nobody who reads his work lacks an opinion about it. His fictions careen through genres of all sorts, always using his trademark minimalist style. </p>

<p><i>Stranger than Fiction</i> is notable for the way that the author applies his eye and style to strange episodes from real life. He describes the life of submariners in "The People Can," detailing the hard, monotonous life of patrols undersea. In "My Life as a Dog," he writes about the injuries people are willing to inflict when they don't perceive their victims as human. The volume also includes a number of odd, odd profiles of various celebrities, as well as stories from his own life, covering everything from lip enhancers to procrastination. This book provides a good taste of Palahniuk's writing, as well as his signature themes.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=0385504489">Cabell Library PS3566.A4554 S77 2004</a></p>]]>
        
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</entry>
<entry>
    <title>Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/07/baltimore_or_the_steadfast_tin.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=24660" title="Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.24660</id>
    
    <published>2008-07-15T16:24:55Z</published>
    <updated>2008-07-15T16:36:33Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities This book is a riveting menagerie of story, from the overarching tale of the novel, to the stories contained within it, to the Hans Christian Anderson tale referenced in the title....</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Art" />
            <category term="Fiction and Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="baltimore.jpg" src="http://blog.vcu.edu/bookremarks/baltimore.jpg" width="102" height="127" />This book is a riveting menagerie of story, from the overarching tale of the novel, to the stories contained within it, to the <a href="http://en.wikipedia.org/wiki/Hans_Christian_Andersen">Hans Christian Anderson</a> tale referenced <a href="http://www.bartleby.com/195/9.html">in the title</a>. The co-authors both contributed to the story, with <a href="http://en.wikipedia.org/wiki/Mike_Mignola">Mignola</a> doing all of the illustrations in his characteristic fantastical Expressionist style. The prose is lucid, with a generally dark tone, leaving the highs and lows of the story to move the reader.</p>

<p>The setting of the story is an alternate Europe, during and directly after World War I. Events and places share many similarities with our world, but not all. Lord Baltimore is a former English officer suffering from the shocks of war, as well as an encounter with the titular vampire. The secondary characters all knew Baltimore at various times in life, and they meet in a tavern to tell stories about him and about their own lives. As it turns out, they have all experienced supernatural events that make them more liable to believe the narrative of Lord Baltimore's tragic life, and the ghastly plague that spread from the trenches of World War I to ravage Europe like the Red Death of Poe. In telling their stories, they come to grips with the damaging effects of evil and strengthen their resolve to do what is necessary to aid their own steadfast tin soldier. </p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=0553804715">Cabell Library PS3613.I38 B35 2007</a></p>]]>
        
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<entry>
    <title>Your Blues Ain&apos;t Like Mine by Bebe Moore Campbell</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/07/your_blues_aint_like_mine_by_b.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=15829" title="Your Blues Ain't Like Mine by Bebe Moore Campbell" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.15829</id>
    
    <published>2008-07-07T15:00:01Z</published>
    <updated>2008-07-07T15:00:03Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities A fictionalized account of the murder of Emmett Till, Bebe Moore Campbell’s Your Blues Ain’t Like Mine is an engaging novel about the lives of the people involved. Spanning the many...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Award Winners" />
            <category term="Fiction and Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="yourblues.JPG" src="http://blog.vcu.edu/bookremarks/yourblues.JPG" width="100" height="152" />A fictionalized account of the murder of <a href="http://www.pbs.org/wgbh/amex/till/">Emmett Till</a>, <a href="http://en.wikipedia.org/wiki/Bebe_Moore_Campbell">Bebe Moore Campbell</a>’s <em>Your Blues Ain’t Like Mine</em> is an engaging novel about the lives of the people involved. Spanning the many decades that followed the murder, this story personalizes the heartache suffered by everyone involved, from the family of Armstrong Todd (the fictional stand-in for Emmett Till) to the power brokers of the <a href="http://en.wikipedia.org/wiki/Mississippi_Delta">Mississippi Delta</a> to the man who put a bullet in his stomach to the descendants of every person involved. Campbell has a knack for bringing her characters to life in all their beauty and ugliness. No one, murderer or victim, gets away unexamined in this work.</p>

<p>Whether it was Campbell's intention or not (she died in 2006), this book is the very definition of thought-provoking. Abstract ideas of discrimination and oppression have almost no role in this book; instead the reader experiences the thoughts and feelings of people living in difficult circumstances. To say that black Americans have historically been oppressed is one thing, but it is entirely another to watch the destruction of lives in ways large and small. All the novel's black characters struggle to survive the injustice of Jim Crow, to escape it in the North, only to realize that the legacy of oppression is inescapable, and can mean destruction even when victory is in sight. All the characters -- white or black, male or female, rich or poor, young or old -- are forever damaged by the things they do and that are done to them as a result of who they are. In the end, however, most of them find a place of strength to draw from in order to handle life's trials.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=keyword&search=your+blues+and+mine+and+bebe">Cabell Library PS3553.A4395 Y68 1992</a></p>]]>
        
    </content>
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<entry>
    <title>All the Rage: The Boondocks Past and Present by Aaron McGruder</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/06/all_the_rage_the_boondocks_pas.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=24095" title="All the Rage: The Boondocks Past and Present by Aaron McGruder" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.24095</id>
    
    <published>2008-06-30T15:00:30Z</published>
    <updated>2008-06-30T13:20:18Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities The comic strip Boondocks ran in various locations from 1996 to 2006, at which point the strip ceased production, possibly for good. Subject matter included race, politics, religion, and all things...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Art" />
            <category term="Fiction and Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="alltherage.JPG" src="http://blog.vcu.edu/bookremarks/alltherage.JPG" width="141" height="180" />The comic strip <em><a href="http://en.wikipedia.org/wiki/The_Boondocks_%28comic_strip%29">Boondocks</a></em> ran in various locations from 1996 to 2006, at which point the strip ceased production, possibly for good. Subject matter included race, politics, religion, and all things African-American. The strip often followed current events closely, sparking intense debate and anger in many quarters, particularly with its intensely political turn after 9/11, and it was regularly pulled from or edited by many newspapers during its run. It stood out on the comics page, both for its largely African-American cast and for the vigor with which McGruder regularly laid into prominent politicians, media moguls, and self-appointed champions of Right.</p>

<p><em>All the Rage</em> is a collection of selected 2003-2005 strips; articles about the strip and interviews with McGruder; and strips that caused controversy and/or were pulled. It comes packed with plenty of actual strips, along with enough behind-the-scenes information to give you a broad take on the comic. If you've never read <em>Boondocks</em>, which has since become <a href="http://www.boondockstv.com/">an animated show</a>, this isn't a bad place to start. Note that readers sensitive to cussing, racial epithets, or frank discussion of racial inequality may not find this book to be their cup of tea.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=9780307352668">Cabell Library PN6728.B633 M34 2007</a></p>]]>
        
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<entry>
    <title>The Death of the Critic by Rónán McDonald</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/06/the_death_of_the_critic_by_ron.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=24048" title="The Death of the Critic by Rónán McDonald" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.24048</id>
    
    <published>2008-06-23T15:00:45Z</published>
    <updated>2008-06-23T15:19:04Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities The history of literary criticism is not among the world&apos;s most well-known leisure reading subjects, and yet this book is an engrossing study of how tastes in literature change. It&apos;s particularly...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Non-Fiction" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="deathofthecritic.JPG" src="http://blog.vcu.edu/bookremarks/deathofthecritic.JPG" width="127" height="193" />The history of literary criticism is not among the world's most well-known leisure reading subjects, and yet this book is an engrossing study of how tastes in literature change. It's particularly relevant if you spend time thinking about whether what you're reading is good, bad, or indifferent.  In 149 pages, Rónán McDonald travels from <a href="http://en.wikipedia.org/wiki/Aristotle">Aristotle</a>'s <a href="http://classics.mit.edu/Aristotle/poetics.html">Poetics</a> all the way to book review blogs like <a href="http://www.bookslut.com/">Bookslut</a> and <a href="http://bookreviewblog.blogspot.com/">The Book Review Blog</a></p>

<p>The central questions of this book are whether it is good to evaluate the quality of literature, and, if so, whether trained critics are any better at doing it than journalists or the common bookworm. This book happened more or less as a result of <a href="http://en.wikipedia.org/wiki/Cultural_studies">the gradual turn against critical evaluation</a> in the last half of the 20th century, but it was particularly spurred by John Carey's 2005 book, <em>What Good Are the Arts?</em>, which left McDonald wondering how things could possibly have come to this point.</p>

<p>This book is not a deep academic analysis of the central questions, but a survey of literary criticism and how it got from "beauty is truth" to "there is no truth in beauty." If your experience of literary criticism starts with <a href="http://www.historyguide.org/intellect/marx.html">Marx</a> and ends with <a href="http://plato.stanford.edu/entries/foucault/">Foucault</a>, it may surprise you to read about the <a href="http://en.wikipedia.org/wiki/Archetypal_literary_criticism">archetypal criticism</a> of <a href="http://vicu.utoronto.ca/fryecentre/">Northrop Frye</a>, the place of <a href="http://www.john-keats.com/">Keats</a>' aesthetics, or <a href="http://www.virginiawoolfsociety.co.uk/">Virginia Woolf</a>'s views on gender privilege and identity.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=9780826492791">Cabell Library PN81 .M48 2007</a></p>]]>
        
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<entry>
    <title>Sweeney Todd : the Demon Barber of Fleet Street by Tim Burton (Dir.)</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/06/sweeney_todd_the_demon_barber.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23940" title="Sweeney Todd : the Demon Barber of Fleet Street by Tim Burton (Dir.)" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23940</id>
    
    <published>2008-06-16T15:00:07Z</published>
    <updated>2008-06-16T15:02:06Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities The story of Sweeney Todd goes back at least to the 1840s, when the serial story The String of Pearls was first published. The &quot;Demon Barber of Fleet Street&quot; has run...</summary>
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        <name></name>
        
    </author>
            <category term="Film and Video" />
            <category term="Music and Audio" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="sweeney.JPG" src="http://blog.vcu.edu/bookremarks/sweeney.JPG" width="128" height="182" />The story of <a href="http://en.wikipedia.org/wiki/Sweeney_todd">Sweeney Todd</a> goes back at least to the 1840s, when the serial story <em><a href="http://www.victorianlondon.org/mysteries/sweeney_todd-01.htm">The String of Pearls</a></em> was first published. The "Demon Barber of Fleet Street" has run through pages and on stages, as well as appearing on screens big and small over the years. In 2007 he slashed his way across London and into our hearts in Tim Burton's theatrical adaptation.</p>

<p>Johnny Depp brings a manic gleam to the well-worn role of the bloody butcher, with Helena Bonham Carter as his pie-baking partner in crime, Mrs. Lovett. They sing and glide through scenes with mournful, homicidal grace, planning the barber's revenge against Judge Turpin, played by the talented Alan Rickman. As musicals go, <em>Sweeney Todd</em> is an odd one, but the music is well-integrated into the movie. If you hate music, this might not be the movie for you, but if you stayed away because you like the story or actors but couldn't bring yourself to see a musical, check it out. Above all, this is (and feels like) a Tim Burton film.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=1415738920">Cabell Media and Reserves DVDs PN1997.2 .S94 2008</a></p>]]>
        
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<entry>
    <title>Book of My Nights : Poems by Li-Young Lee</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/06/book_of_my_nights_poems_by_liy.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23831" title="Book of My Nights : Poems by Li-Young Lee" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23831</id>
    
    <published>2008-06-09T15:00:36Z</published>
    <updated>2008-06-09T15:18:20Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities Li-Young Lee is a poet of the core elements of human experience, shunning the transitory. His work encompasses loneliness, fatherhood, love, the inner life of children, and many other experiences familiar...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Award Winners" />
            <category term="Fiction and Literature" />
            <category term="Poetry" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="booknights.JPG" src="http://blog.vcu.edu/bookremarks/booknights.JPG" width="128" height="191" /><a href="http://boaeditions.org/authors/lee.html">Li-Young Lee</a> is a poet of the core elements of human experience, shunning the transitory. His work encompasses loneliness, fatherhood, love, the inner life of children, and many other experiences familiar to readers of today, yesterday, or tomorrow. The poems of <i>Book of My Nights</i> are not very long as a rule, focusing with spare language on the things one tends to ruminate about in the hours between dusk and dawn.</p>

<p>On the death of his brother, in "Black Petal":</p>

<blockquote><em>Ask him who his mother is. He'll declare the birds<br>
have eaten the path home, but each of us<br>
joins night's ongoing story</em></blockquote>

<p>On the concerns of a father, in "Words for Worry":</p>

<blockquote><em>Worry boils the water<br>
for tea in the middle of the night.</blockquote>

<blockquote>Worry trimmed the child's nails before<br>
singing him to sleep.</em></blockquote>

<p>On youth and mortality, in "Stations of the Sea":</p>

<blockquote><em>Once forsaken, I remain<br>
hidden in the dust, a mortal threshold<br>
unearthed by crying.</em></blockquote>
<blockquote><em>Crying, my body turns to dark petals.</em></blockquote>

<p><a href="http://www.poets.org/poet.php/prmPID/291">The poet</a> has been well-laurelled in his life as a poet, winning multiple Pushcart Prizes, a grant from the National Endowment for the Arts, and a fellowship from the Guggenheim Foundation, among others. Perhaps the most prominent of Asian American poets, a collection of interviews entitled <em>Breaking the Alabaster Jar</em> was published in 2006. His poems have been anthologized in major works like the <em>Norton Anthology of American Literature</em>, signaling both provisional inclusion in the oft-debated <a href=" http://en.wikipedia.org/wiki/Literary_canon">canon</a> and the regard in which his work is held.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=1929918070">Cabell Library PS3562.E35438 B66 2001</a></p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=1929918828">Cabell Library PS3562.E35438 Z46 2006</a> <em>Breaking the Alabaster Jar</em></p>]]>
        
    </content>
</entry>
<entry>
    <title>Blind Willow, Sleeping Woman by Haruki Murakami</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/06/blind_willow_sleeping_woman_by.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23681" title="Blind Willow, Sleeping Woman by Haruki Murakami" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23681</id>
    
    <published>2008-06-02T15:00:38Z</published>
    <updated>2008-06-02T15:09:11Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities This collection of short stories is a representative offering, showcasing Murakami&apos;s skills from his beginnings as an author in the late &apos;70s to today. Shadowy jazz clubs, bizarre metaphysical conditions, high...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Fiction and Literature" />
            <category term="Short Stories" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="blindwillow.jpg" src="http://blog.vcu.edu/bookremarks/blindwillow.jpg" width="163" height="240" />This collection of short stories is a representative offering, showcasing Murakami's skills from his beginnings as an author in the late '70s to today. Shadowy jazz clubs, bizarre metaphysical conditions, high and low culture, Japanese work culture, political violence, nameless and subtly attractive women: all of his recurring obsessions appear here. The book has a loose, freewheeling feel, and is a fine place for a Murakami beginner. Read a few paragraphs of a story, and if you don't like it, move on to the next. Diverse as this collection is, you will eventually find something you like.</p>

<p>"Tony Takitani" chronicles the life a Japanese jazz man's son, what his drive and focus brings him, and how he eventually learns about loneliness. "The Ice Man" is a story about love between a woman of flesh and a man of ice, and the progression of their relationship as she learns to live in his icy world. "Birthday Girl" tells the story of the circumstances surrounding a young woman's birthday wish, but not the wish itself. "Nausea 1979" describes a Biblical period of regurgitation that may or may not be connected to the protagonist's amorous adventures with his friends' wives and girlfriends.</p>

<p>The book also contains two pieces of writing for those interested in Murakami as an artist. "The Rise and Fall of Sharpie Cakes" is a disconcerting fable about the author's view of his reception by the Japanese literary establishment. The reader knows the truth behind the story because Murakami tells us about it in the introduction, which is itself a nice essay about his take on writing, short fiction, and the purpose of stories.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=1400044618">Cabell Library PL856.U673 A23 2006</a></p>]]>
        
    </content>
</entry>
<entry>
    <title>Into the Wild by Jon Krakauer</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/05/into_the_wild_by_jon_krakauer.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23578" title="Into the Wild by Jon Krakauer" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23578</id>
    
    <published>2008-05-26T16:12:32Z</published>
    <updated>2008-05-26T16:20:51Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities The 1992 death of the wanderer Christopher McCandless was a strange one. He died of starvation, alone in the Alaskan bush, with few possessions. With a little more preparedness for his...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Non-Fiction" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="intothewild.JPG" src="http://blog.vcu.edu/bookremarks/intothewild.JPG" width="121" height="193" />The 1992 death of the wanderer <a href="http://en.wikipedia.org/wiki/Christopher_McCandless">Christopher McCandless</a> was a strange one. He died of starvation, alone in the Alaskan bush, with few possessions. With a little more preparedness for his surroundings—a compass, a map—he might have left his campsite and traveled to a nearby cabin, or the few dozens miles to civilization. Instead he wasted away, his body eventually found by moose hunters. This story makes for a gripping, thought-provoking read. It's difficult not to wonder what one would have done under similar circumstances, what choices one would have made and what the result would have been.</p>

<p>Jon Krakauer, an experienced outdoorsman, went north to learn about McCandless, publishing <a href="http://outside.away.com/outside/features/1993/1993_into_the_wild_1.html">an article</a> in <em>Outside</em> the next year that became the basis for <em>Into the Wild</em>. The book explores McCandless' life and wanderings, as well as those of others who have traveled into the American wilderness to find themselves, or solitude, or escape from society. Krakauer spent much time with McCandless' journal and correspondence, interviewing his family and other people who knew him, and learning whatever could be reconstructed of his travels. Along the way, Krakauer recounts his own outdoor experiences under harsh conditions, musing over how close he himself might have come to death.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=067942850X">Cabell Library CT9971.M35 K73 1996</a></p>]]>
        
    </content>
</entry>
<entry>
    <title>The Savage Detectives by Roberto Bolaño, translated by Natasha Wimmer</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/05/the_savage_detectives_by_rober.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23544" title="The Savage Detectives by Roberto Bolaño, translated by Natasha Wimmer" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23544</id>
    
    <published>2008-05-19T20:07:11Z</published>
    <updated>2008-05-19T20:17:30Z</updated>
    
    <summary>Reviewed by Renée Bosman, Reference Librarian for Government and Public Affairs and Reference Collection Coordinator Not for the faint of heart, The Savage Detectives is a dreamlike and gritty tale of the fictional Visceral Realism poetry movement in 1970s Mexico...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Fiction and Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by Renée Bosman, Reference Librarian for Government and Public Affairs and Reference Collection Coordinator</p>

<p><img alt="savagedetectives.JPG" src="http://blog.vcu.edu/bookremarks/savagedetectives.JPG" width="128" height="192" />Not for the faint of heart, <em>The Savage Detectives</em> is a dreamlike and gritty tale of the fictional Visceral Realism poetry movement in 1970s Mexico City.  The story follows the elusive ringleaders of this motley group of young writers – Arturo Belano and Ulises Lima – on their quixotic mission to find Cesárea Tinajero, the first true Visceral Realist. By turns ponderous and gripping, <em>The Savage Detectives</em> is an absorbing novel that is not to be missed, if only to experience Bolaño’s style and Wimmer’s superb translation.</p>

<p>Told through the voice of a seventeen-year-old law school dropout and newly-minted member of the group, Juan García Madero, the novel begins with an account of the events leading up New Year’s Eve 1975, when he, Arturo, and Ulises flee Mexico City under inauspicious circumstances.  At this point the story changes abruptly to a series of narratives from over fifty characters, spanning more than twenty years and several continents.  Ostensibly about what happens to Arturo and Ulises after that fateful New Year’s Eve, these pieces also function as haunting, intimate portraits of the narrators themselves.  The shortest part of the novel then returns to New Year’s Day 1976, with García Madero’s diary entries chronicling their fateful trip into the Sonora Desert and to the conclusion of their literary quest.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=0374191484" target="_blank">PQ8098.12.O38 D4813 2007</a></p>]]>
        
    </content>
</entry>
<entry>
    <title>Soon I Will Be Invincible by Austin Grossman</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/05/soon_i_will_be_invincible_by_a.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23423" title="Soon I Will Be Invincible by Austin Grossman" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23423</id>
    
    <published>2008-05-08T21:40:20Z</published>
    <updated>2008-05-08T21:56:13Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities In this debut novel, Austin Grossman writes of the lives, loves, and traumas of superheroes. The story doesn&apos;t take place in the well-worn worlds of Marvel or DC, but the characters...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Fiction and Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="invincible.JPG" src="http://blog.vcu.edu/bookremarks/invincible.JPG" width="119" height="193" />In this debut novel, <a href="http://austingrossman.blogspot.com/">Austin Grossman</a> writes of the lives, loves, and traumas of superheroes. The story doesn't take place in the well-worn worlds of <a href="http://www.marvel.com">Marvel</a> or <a href="http://www.dccomics.com">DC</a>, but the characters are all types (or combinations thereof) recognizable to anyone who knows comics: the <a href="http://en.wikipedia.org/wiki/Superman">near-invulnerable man</a>, the <a href="http://en.wikipedia.org/wiki/Thor_(Marvel_Comics)">mythological figure</a>, the <a href="http://en.wikipedia.org/wiki/Cable_%28comics%29">half-man/half-machine</a>, the <a href="http://en.wikipedia.org/wiki/Tigra">feral fighter</a>, and so on. And what would a novel of heroes be without supervillains? The two viewpoint characters are Dr. Impossible, evil mastermind par excellence, and Fatale, a female cyborg with a cloudy past who has been asked to join The Champions, a super-group analogous to the <a href="http://en.wikipedia.org/wiki/Justice_League">JLA</a> or the <a href="http://en.wikipedia.org/wiki/Avengers_%28comics%29">Avengers</a>.</p>

<p>This rousing yet thoughtful novel is a beautiful counterpoint between the main characters. On one page the reader encounters Fatale's frustrations over not being able to sit in chairs that won't support her armor, and on the next Dr. Impossible is lamenting his tendency to leave crucial details of his <a href="http://en.wikipedia.org/wiki/Doomsday_device">doomsday devices </a> unplanned until the last minute. Grossman plays his characters' agonies straight, exploring the psychology and lives of people set forever apart from the rest of humanity. Serious takes on the world of comics have been done before, in <a href="http://en.wikipedia.org/wiki/The_Fortress_of_Solitude_(novel)">fiction</a> and in <a href="http://en.wikipedia.org/wiki/Watchmen">comics themselves</a>, but the author brings a deft hand at characterization to the project. </p>

<p>As much as this is a story about super-powered people, it's a story about humans in opposition, forced to live out their lives in circumstances they believe they don't deserve, or in other cases circumstances they believe is their due as the best of society. Grossman's style is economical and transparent, aside from occasional rhetorical flourishes that neatly match the action of the story. This novel will be a thrill for you if you enjoy comics and a fast-paced story that still takes time to explore the lives of its characters.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=0375424865">Cabell Library PS3607.R666 S66 2007</a></p>]]>
        
    </content>
</entry>
<entry>
    <title>Caught Stealing by Charlie Huston</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/05/caught_stealing_by_charlie_hus.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=23087" title="Caught Stealing by Charlie Huston" />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.23087</id>
    
    <published>2008-05-01T17:47:17Z</published>
    <updated>2008-05-01T17:52:33Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities Hank Thompson, protagonist of Charlie Huston&apos;s slam-bang neo-noir, has not had an easy life. From a baseball accident that ended a promising career to a car crash that left him unable...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Fiction and Literature" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="caught.stealing.small.JPG" src="http://blog.vcu.edu/bookremarks/caught.stealing.small.JPG" width="97" height="150" /> Hank Thompson, protagonist of <a href=" http://www.pulpnoir.com/">Charlie Huston</a>'s slam-bang <a href="http://en.wikipedia.org/wiki/Category:Neo-noir">neo-noir</a>, has not had an easy life. From a baseball accident that ended a promising career to a car crash that left him unable to drive to the bottles of booze that fill his apartment, this strangely gentle man never really caught a break. He was doing OK, though, until his neighbor left town and gave Hank his cat to watch... and the key hidden at the bottom of the cat's litter box. Various people come looking for the key, and that's when the fun begins.</p>

<p>The novel stands up next to James Ellroy's <a href=" http://en.wikipedia.org/wiki/The_Black_Dahlia_%28novel%29"><em>The Black Dahlia</em></a> or Scott Smith's <a href=" http://en.wikipedia.org/wiki/A_Simple_Plan"><em>A Simple Plan</em></a>, in both the dark settings and the violence. The seedy world of the characters includes beatings, shootings, robbery, torture, and worse yet. In this environment, it's not a question of whether a good man will go bad, but the manner in which it will happen, and how bad he'll go. Huston's narration and use of the first-person viewpoint is gripping, conveying the thoughts and fears of Hank Thompson very well. The plot twists and turns to some extent, but the action and violence of this story are what will keep you reading until 2 a.m.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=034546477X">Cabell Library PS3608.U855 C38 2004</a></p>]]>
        
    </content>
</entry>
<entry>
    <title>The Life and Times of R. Crumb : Comments from Contemporaries by Monte Beauchamp, Ed.</title>
    <link rel="alternate" type="text/html" href="http://blog.vcu.edu/bookremarks/2008/04/the_life_and_times_of_r_crumb.html" />
    <link rel="service.edit" type="application/atom+xml" href="https://blog.vcu.edu/cgi-bin/mt/mt-atom.cgi/weblog/blog_id=18/entry_id=22081" title="The Life and Times of R. Crumb : Comments from Contemporaries by Monte Beauchamp, Ed." />
    <id>tag:blog.vcu.edu,2008:/bookremarks//18.22081</id>
    
    <published>2008-04-24T16:55:13Z</published>
    <updated>2008-04-24T17:02:03Z</updated>
    
    <summary>Reviewed by John Glover, Reference Librarian for the Humanities Robert Dennis Crumb is one of the more singular artistic talents America has ever produced. His deeply weird and unfettered genius gave birth to the underground comix of the 1960s and...</summary>
    <author>
        <name></name>
        
    </author>
            <category term="Art" />
            <category term="Non-Fiction" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.vcu.edu/bookremarks/">
        <![CDATA[<p>Reviewed by John Glover, Reference Librarian for the Humanities</p>

<p><img alt="lifetimescrumb.gif" src="http://blog.vcu.edu/bookremarks/lifetimescrumb.gif" width="100" height="108" /><a href="http://en.wikipedia.org/wiki/R._Crumb">Robert Dennis Crumb</a> is one of the more singular artistic talents America has ever produced. His <a href="http://www.imdb.com/title/tt0109508/">deeply weird and unfettered genius</a> gave birth to the <a href="http://en.wikipedia.org/wiki/Comix">underground comix</a> of the 1960s and helped to separate comic books from capes and wish-fulfillment, bringing about the field of alternative comics as we know it. His work, beloved by some, reviled by others, has had a giant impact on comics people, from writers to publishers to editors, and they've all got something to say about the man.</p>

<p>The style and length of these appreciations vary greatly, from <a href="http://www.alanmoorefansite.com/">Alan Moore</a>'s commentary on Crumb's impact on him as a teenager, to the <a href="http://en.wikipedia.org/wiki/Ivan_Stang">Rev. Ivan Stang</a>'s vision of Crumb as trend-evading creator, to <a href="http://en.wikipedia.org/wiki/Matt_Groening">Matt Groening</a>'s relived glee as a childhood consumer of illicit cartoons. This book makes for a fine, episodic read, the perfect thing to pick up, read some essays, and put it down again for a few days. Whether you enjoy it or not depends on how much you like comics, the history of comics, general weirdness, and the reminiscences of aging hippies about the zany 60s. </p>

<p>Those unfamiliar with Crumb's work should probably be aware that his detractors have labeled much of it as variously depraved, racist, misogynist, and obscene. Crumb's response to such criticisms has typically been to acknowledge and apologize for his flaws. At the same time, he defends his work on the grounds artists often use to defend transgressive works — that censorship is not a good thing, and that artists need to overcome voices of repression.</p>

<p><a href="http://www.library.vcu.edu/cfapps/webscripts/catalog.cfm?stype=isbn&search=0312195710">Cabell Library NC1429.C83 L54 1998</a></p>]]>
        
    </content>
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