iGRAFF
So, I love graffiti. Since the beginning of Senior year of high school, I forgot how much I appreciated this art form. After reading Moria and Caitlyn S's blogs and stumbling upon blogs about Banksy, one of the OG's of the graff/street art movement, all my past memories of researching, learning about and experimenting with graffiti came flooding back.
My love for this misunderstood art form started when I was a wee 4 year old or whenever I started to notice the scribbles on the NYC subway walls. It was more of an subconcious love for graffiti. I never really made much a fuss about it until 7th grade which was when I was out of the NYC element and in an area where graffiti was a rare site. Maybe it's the fact that I noticed there was no graffiti to notice at all in C'ville that got me really interested into it.
Actually, here's one of the short little essays that helped me get into UVA. The topic was: What work of art, music, science, mathematics or literature has surprised, unsettled or challenged you, and in what way? Please limit your response to half a page, or approximately 250 words.
It was the screeching sound of a gigantic metal snake concealed in ink scribbles and paint drips burrowing underground that enthralled my five year old senses. Out from a tunnel came an outburst of air and energy rushing past at fifty-five miles per hour, an industrial creature soon to slow down and transform into a stationary masterpiece gallery of urban bandit artistry. I approximately had 42 seconds to mentally photograph the unlawfully inscribed tags and paintings on the train. Start.
They were not unfamiliar to my eyes, for the station and aboveground walls were scrolled with thousands of aerosol tags, throw-up's and murals. Some of them read unusual adjectives that could have possibly been names. My young eyes could not decipher the complexity of some of the letters movements around each other.
21 seconds past. The wave of people going on board and off had settled and the doors patiently stayed open for late passengers.
One of the many cars was almost buffed clean but I was lucky to find a small graffiti piece vibrant with color and design. It was a simple bubble letter style filled in by a fiery blend of yellow, orange and crimson. Charcoal gray clouds pillowed the bright name that randomly stuck out on the train's exterior like a sore thumb.
35 seconds. A melodic ding went off as the car's doors began to slide shut.
It was too clean to be a throw-up but too small to be a mural. No drips existed but it had miniscule flaws. The cars stayed stationary for only 42 seconds yet it was close to perfect. Within that time frame I could not fully process how it could have gotten there let alone how something so attractive could be painted in less than a minute. End.
At 42 seconds, the metal snake had gradually picked up to its prior speed, already entering back into the tunnel and leaving behind on the platform a dazed five year old.
One of the best ways I can describe my experiences with graff. <3
Like I said, 7th grade was when I really got into this stuff and so like a majority of people who get interested into the subculture tries to form their own identity with graff. I decided to mess around and doodle letter forms to make my own handwriting style. My sketchbook started to have pages filled with repetitive tags [a person's graff "signature"] and eventually leading to attempts at pieces. Looking back at my old stuff, I really was a toy [graff term for noob/newbie/amateur] and I still I am now.
I started out writing Little Kid. That was too long of a name and had repetitive letter forms, so I now write Weirdo. I'd post Little Kid tags but those were whack anyway:


As far as my own graffiti, my style is kind of awkward. Due to school work and just pure laziness/procrastination, I'm not into making "pieces" as I used to. That, and I can not call myself writer because I don't embody the lifestyle at all. I never was able to go out and hit up walls with a spray can. I have many sketches and drawing of what could have been potential pieces on walls but all my ideas stay in my sketchbook or mind. The only time I've done anything out in public was a few times with my jumbo marker but it was nothing significant. [my jumbo marker disappeared here at VCU =( ] I'm probably too much of a pussy to be a real writer since the pure essence of graffiti is in its illegality. It's not just the whole idea of defacing public property but it's also the acts of racking [stealing paint] and constantly being on the run. It's pretty dangerous to being able to get up [get your tag/pieces up on walls] unnoticed, cause from what i've seen, graffiti writers have some of the biggest cajones, painting down below on the subway lines to the top of billboard signs -- and to do that all in the dark? Cuh-ray-zee. To achieve that in the broad day light while going unnoticed? Eh-pic.
Though note, illegality does not mean grungy, ugly, unrefined, etc. with all those negative connotations to illegality. Most people make an immediate mental note that graffiti is the whack stuff, the "gang" tags and obnoxious obscenities that are found scrawled on walls. When I talk about graffiti, I'm talking about the murals, the burners [really bright, colorful graff pieces] that people take their time doing it, in the dark, unnoticed from the police. When I talk about graffiti, I talk about the intricate stencils that speak about political issues or for the sake of being pretty. There are stickers, wheatpasting, even acid wash. Graffiti can be visually appealing and have messages with substance that make you think. You just have to find it in the right places.
Now for some must-know graffiti artists/writers:
Seen. Richard Mirando One of the OG graff artists. He's been around since the the movement's peak back in the late 70's/early 80's. His throw-up's [simple, quick, bubble letter tags] are one of the most recognizable in the graffiti community and one of the most respected. He's known to be one of the kings of the lines [a status dubbed to writers whose tags/pieces are seen all over the city or in NYC's case, on all subway lines --during the subway days-- or all just generally all over the city --more applicable for today]. His style and pieces are very distinct and he has one of the most developed styles among writers. He was a pioneer back in the day and he continues to influence the new generation of writers/artists. I'll have to admit though that partially why I favor this guy so much is that he resides like a few minutes away from where I used to live in the Bronx. But seriously, all biases aside, he is also a successful entrepreneur with his tattoo shop in the BX and his vinyl toy design career.
Cope 2. Fernando Carlo Another OG of the graffiti game. Cope's throw-up's are notorious for being everywhere, literally. He is one of the guys you want to admire if your goal with graffiti is like Cap said, "Not the biggest and the beautifulest, but more." Cap was a widely hated graffiti bomber [bomber's attentions are usually to just have more tags than others; less of pretty pieces, etc.] who went over lots of the big names and their burners. The only thing that separates Cap from Cope2 and makes Cope2 more respectable and one of the greats was that, he in return respected other's pieces -- unless of course someone decided to mess with his work or his crew's work. Cap didn't give a rats ass about the pieces he went over unless you were one of his friends. Anyways, back to Cope2. He's still strong in the graff world and does alot of galleries [I think]. I haven't updated my Cope2 knowledge, but I read recently on his own myspace page that he'll be having a graff gallery with a few other writers. Also, Cope2 has been active in making designs for shoes like Adidas and Converse while showing up in cameo's in various video games like Grand Theft Auto [his tags made the cameos, not him hehe] and Getting Up, a graff game for the PS2. [Said game also has Seen in it!] I happen to have one of the two designed chucks Cope made [and so does Moria!]:


Obey the Giant. Shepard Fairey. Obey is world renowned sticker/wheatpasting machine. Most of you should be familiar with his Obey the Giant stickers/Andre the Giant Has A Posse, whether it be the real Obey himself or the imitators. During the presidential elections, Obey or Mr. Fairey himself got alot of media attention for his very famous Obama portrait:

His stickers/wheatpastings bring bombing to a whole new level. Obey's work has been stuck and seen all over the world. Andre the Giant is truly an icon found in pop culture. Fairey successfully balances his street art work and his mainstream work which makes him all the more respectable. He knows how produce pieces in both worlds without "selling" out.
These are just 3 talented artists, well known in both the graff and mainstream worlds. There are other noticeable artists/writers that have just a bigger impact as these guys that you should check out:
Banksy [Moria & Cailtin wrote about him so I didn't bother], CES, REVS, DONDI, Lady Pink [the OG Graff Woman!], DEZ, DOZE, Taki 183 [the guy who started it all], DELTA, LEE.
If you want to know more about the old graff scene, when it was at its peak, I suggest watching "Style Wars," a documentary on graff in the late 70's and also the breakdancing scene. For a more mainstream friendly movie, try watching "Wild Style," a movie that focuses on all aspects of the hip-hop culture at its best. For just something to watch, try "Bomb the System," one of the better fictional graffiti movies. I've seen a handful of fictional graff movies and usually they are poorly made, but "Bomb the System" is definitely the one to watch. There are also a plethora of documentaries coming out about graff which I have not been able to watch because these documentaries are independently being produced. If anyone has the chance, check out "Bomb It" which is a new documentary that I've been wanting to see but haven't.



Haha, wow, I just realized, I haven't written this much about graffiti since my big research paper during my junior year of high school. I wrote 9 pages total =X Anyone want to read it?! :D
"It's an expression coming out of a simple can of paint.
Look, it's the easiest way for the average kid to paint things using himself as the meaning of it"
-- Blest, "Bomb the System"




Going through Circuit City, my brother surprisingly pointed out the Hills DVD sitting on the shelves for sale. For the pop culturally unaware, the Hills is a reality TV show on MTV that follows the lives of fashion student Lauren C. [I forgot her name] and the social butterflies fluttering in her social circle. It's drama-filled, brain cell-killing but most importantly, addicting. I'm not an avid watcher, and I'm not one to call myself a Hills fan but I was once caught up in the story line during my senior year. Good thing it was the end of the season because I ended up just watching the last few episodes before the new ones came out. I had a road block to prevent me from getting swallowed by the blond, rich Californian abyss known as "the Hills". Though, at the time I was able to tune into this show, it was during the time when Lauren and her ex-best friend Heidi were completely ignoring each other. Heidi was fighting with Spencer, Spencer's little sister was beginning to hang out with Lauren, Heidi and Spencer got pissed, yadda yadda yadda. Then there's that one guy that Lauren doesn't know whether or not they are an item blah blah blah..

I've always detested Thanksgiving. Maybe because I've fallen into the cynical mindset of a pessimist, thinking that Thanksgiving embodies the idea of a "Hallmark" holiday and that the celebration of thanks that America is doing is based of the fact that we killed off all the Indians in return of their teachings that benefited the pilgrims in retrieving food. I think I adopted this attitude towards Turkey Day when I was in middle school but before that, Thanksgiving was all about making paper turkeys out of hand tracings. I can't recall significant Thanksgiving dinners in the past until 2005 but gradually throughout the years, Thanksgiving has gotten boring and just another, typical big dinner but instead of Filipino food, my mom's attempt at making American classic dishes. Keyword attempt.